Contents of No. 22, 2022
- Vlaskin A.P., Rudakova S.V. THE THROUGH MOTIF OF "OFFICERSHIP" IN F. M. DOSTOEVSKY’S WORKS
- Gorbarenko E.A. "BROTHERHOOD" AND "KARAMAZOVSHCHINA" AS HORIZONS OF EXPECTATIONS IN DOSTOEVSKY'S FINAL NOVEL
- Luchkina M.V., Petrov A.V. ROCK BALLAD: THE HISTORY OF THE GENRE
- Nasledova V.A., Tsaran A.A. ARTISTIC ORIGINALITY OF CHAMBER FILMS: "THE HERO'S JOURNEY" IN A CONFINED SPACE
- Petrov A.V. TECHNOLOGIES OF TEACHING LITERARY (POETIC) CREATIVITY AT SCHOOL AND UNIVERSITY. ARTICLE № 1
- Konovalov M.A. VIDEO POETRY SPECIFICS: ARTISTIC RESEPTION POSSIBILITIES
- Postnikova Y.G. THE FOUR ELEMENTS OF THE UNIVERSE IN VIDEO POETRY (BASED ON THE MATERIAL OF THE WINNER VIDEOS OF THE INTERNATIONAL FESTIVAL “VIDEOSTIKHIA”)
- Rudakova S.V. THE PECULIARITY OF THE LIGHT AND COLOR IMAGES IN THE WORKS PRESENTED AT THE VIDEO POETRY FESTIVAL “VIDEOSTIKHIA”
- Smyshlyaev E.A., Semyan T.F. VIDEO POETRY BY JANIS GRANTS
- Khabirov K.A. MYTHOPOETICS OF VIDEO POETRY
- Rudakova T.R. TECHNIQUES OF FORMING READING LITERACY IN THE LESSONS OF THE RUSSIAN NATIVE LANGUAGE