Contents of No. 9, 2019
- Aleksey V. Petrov. F. I. TYUTCHEV’S NEW YEAR’S VERSES
- Evgeny V. Nikolsky, A. V. Lille-Basak. LARGE FORMS OF NOVEL PROSE: EXPERIENCE IN TYPOLOGY
- Ildikó Regéczi, Svetlana V. Rudakova. BETWEEN LIFE AND DEATH (THE IMAGE OF "FEAST" IN THE CONTEXT OF THE SMALL TRAGEDY BY A.S. PUSHKIN "FEAST IN THE TIME OF THE PLAGUE")
- Dorota Walczak. SWEET MEMORIES OF CHILDHOOD AND LOST MOTHERLAND: MOTIF OF THE ICON IN THE PROSE OF THE FIRST WAVE RUSSIAN EMIGRANTS (ON THE BASIS OF NOVELS "SUMMER OF THE LORD" BY IVAN SHMELYEV AND "THE ROTONDA" BY ILYA SURGUCHEV)
- Evgeny V. Nikolsky, Dorota Walczak. "ZBĘDNY CZŁOWIEK" VS. "BOHATER WERTEROWSKI" TYPE OF "SUPERFLUOUS MAN" IN RUSSIAN AND POLISH LITERATURE
- Tatyana V. Rudakova. VISUAL IMAGES IN A. A. DELVIG’S "RUSSIAN SONGS"
- Andrey N. Bezrukov. THE CONFIGURATION MECHANISMS OF ARTISTIC REALITY IN PROSE BY ZAKHAR PRILEPIN
- O. N. Kiblik. THE UNFULFILLED AS AN EXISTENTIAL PHENOMENON IN A. S. GRIN'S NOVEL “RUNNING IN THE WAVES”
- A. A. Chevtaev. SYMBOLICS OF “WHEAT” IN “THE WILD PORPHYRY” BY M. ZENKEVICH: ADAMISM AND CHRISTIAN AXIOLOGY