Contents of No. 30, 2024
- Anna G. Maslova, Nadezhda A. Vorozhtsova. MYTHOPOETIC PICTURE OF THE WORLD OF K. K. SLUCHEVSKY IN THE CYCLE “LYRICAL”
- Larisa A. Akhmylovskaia. SONG TRANSLATION AND ANALYSIS WITHIN CROSS-CULTURAL ACADEMIC AND PERFORMING ACTIVITIES: YAMANOUCHI SHIGEMI'S EXPERIENCE
- Natalya E. Makarova. THE MAIN RIDICULED ANTI-VALUES OF THE SPHERE OF CONCEPTS “CELEBRITY” IN “ROAST OF BRUCE WILLIS”
- Elena V. Papilova. SENTIMENTAL AND ROMANTIC IN THE IMAGE OF LEMM (“A NEST OF THE GENTRY” BY I. S. TURGENEV)
- Anastasia Y. Strelkova. COMPARISON OF THE CHARACTERS’ POINTS OF VIEW AS A WAY OF DESCRIPTION OF THE HERO (USING THE EXAMPLE OF ARTHUR BARDON FROM S. MAUGHAM'S NOVEL “THE MAGICIAN”)
- Maria O. Bulavina. CRIME AND PUNISHMENT IN SILENT FILMS: P. WEGENER, H. GALEEN, I. STERNBERG
- Elizaveta A. Shaprinskaya, Alexey Yu. Ovcharenko. A LITERARY TEXT (“THE BLACK MONK” BY A. P. CHEKHOV): MATHEMATICAL VISUALIZATION