Contents of No. 32, 2025
- Natalya V. Yarina ELIZAVETA DYAKONOVA'S «LINE OF FATE» IN THE «PLOTS» OF HER «THE DIARY» (THE FIRST ARTICLE)
- Anastasia D. Nesterenk, Alexander A. Tsaran THE IMAGE OF A MARTYR IN LARS VON TRIER'S CINEMATIC DISCOURSE
- Maria N. Valyuk, Svetlana V. Kharitonova GERMAN ROMANTIC POETS’ POEM TRANSLATIONS: THE IMAGE OF THE SEA
- Anna N. Abdrakhimova, Olga Y. Kolesnikova MYTHOLOGICAL CONTEXT IN THREE NOVELS ON «O» BY I. A. GONCHAROV
- Alena O. Veseleva, Olga Y. Kolesnikova THE IMAGE OF VENICE IN RUSSIAN POETRY OF THE 19th CENTURY
- Aigul R. Gazetdinova LINGUISTIC AND VISUAL COMMUNICATION IN THE MEDIA OF TWO CULTURES
- M.S. Zhavnerovich, S.V. Ovcharova METHODS OF CREOLIZATION OF MODERN ADVERTISING TEXT
- Mihail A. Konovalov, Alexander L. Soldatchenko THE SPECIFICS OF A SALES LETTER
- Kseniya K. Kostina, Alexander L. Soldatchenko PECULIARITIES OF WEB WRITING
- Elena V. Ilyinova AXIOLOGICAL COMPONENT OF THE LINGUOCULTURAL CHARACTER TYPE “AMERICAN BUSINESSMAN”
- Tatyana D. Seredkina, Alexander A. Tsaran THE TRANSLATION OF THE TITLES OF ENGLISH-LANGUAGE FILMS INTO RUSSIAN
- Galina I. Chepeleva., Anna P. Karpova., Dmitry A. Astafiev «OPIUM FOR NOBODY», OR MUSICAL ESCAPISM AS A REFLECTION OF RUSSIAN ROCK UNDERGROUND IN THE ERA OF SOCIAL METAMORPHOSES
- Anastasiya K. Fedyainova, Alexander A. Tsaran FOLK STAGE DANCE