Contents of No. 32, 2025
-
Natalya V. Yarina ELIZAVETA DYAKONOVA'S «LINE OF FATE» IN THE «PLOTS» OF HER «THE DIARY» (THE FIRST ARTICLE)
-
Anastasia D. Nesterenk, Alexander A. Tsaran THE IMAGE OF A MARTYR IN LARS VON TRIER'S CINEMATIC DISCOURSE
-
Maria N. Valyuk, Svetlana V. Kharitonova GERMAN ROMANTIC POETS’ POEM TRANSLATIONS: THE IMAGE OF THE SEA
-
Anna N. Abdrakhimova, Olga Y. Kolesnikova MYTHOLOGICAL CONTEXT IN THREE NOVELS ON «O» BY I. A. GONCHAROV
-
Alena O. Veseleva, Olga Y. Kolesnikova THE IMAGE OF VENICE IN RUSSIAN POETRY OF THE 19th CENTURY
-
Aigul R. Gazetdinova LINGUISTIC AND VISUAL COMMUNICATION IN THE MEDIA OF TWO CULTURES
-
M.S. Zhavnerovich, S.V. Ovcharova METHODS OF CREOLIZATION OF MODERN ADVERTISING TEXT
-
Mihail A. Konovalov, Alexander L. Soldatchenko THE SPECIFICS OF A SALES LETTER
-
Kseniya K. Kostina, Alexander L. Soldatchenko PECULIARITIES OF WEB WRITING
-
Elena V. Ilyinova AXIOLOGICAL COMPONENT OF THE LINGUOCULTURAL CHARACTER TYPE “AMERICAN BUSINESSMAN”
-
Tatyana D. Seredkina, Alexander A. Tsaran THE TRANSLATION OF THE TITLES OF ENGLISH-LANGUAGE FILMS INTO RUSSIAN
-
Galina I. Chepeleva., Anna P. Karpova., Dmitry A. Astafiev «OPIUM FOR NOBODY», OR MUSICAL ESCAPISM AS A REFLECTION OF RUSSIAN ROCK UNDERGROUND IN THE ERA OF SOCIAL METAMORPHOSES
-
Anastasiya K. Fedyainova, Alexander A. Tsaran FOLK STAGE DANCE