Contents of No. 19, 2022
- Jakob M. Margolis. THE LEXEME “LOVE” AND ITS SURROUNDINGS IN THE LANGUAGE OF RUSSIAN POETS IN THE 18TH – 21ST CENTURIES
- Jakob M. Margolis. THE RAINBOW COLORS IN THE RUSSIAN POETIC LANGUAGE
- Evgeny V. Degtyarev. RELIANCE ON KNOWLEDGE ABOUT THE PAST FOR THE SAKE OF THE FUTURE: ABOUT ONE DRAWBACK OF THE CULTURAL MYTH
- Dmitry G. Evstafyev, Lubov A. Tsyganova. SPACE AND MONUMENTS. EXPERIENCE OF SOCIO-HISTORICAL DECONSTRUCTION IN THE EPOCH OF POST-GLOBALIZATION AND "NEW URBANISM"
- Andrey N. Minchenko. RUSSIAN CULTURAL SOVEREIGNTY IN THE MIRROR OF THE CULTURAL DIVIDE
- Yu. S. Nalbandyan. THE ROLE OF UNIVERSITIES IN THE IMPLEMENTATION OF THE STATE NATIONAL POLICY (BASED ON THE EXAMPLE OF WARSAW-ROSTOV-SOUTHERN FEDERAL UNIVERSITY)
- Sergey Yu. Shilov. ABOUT TECHNOLOGY PACKAGES AND ULTIMATE TECHNOLOGIES
- Tatiana B. Zaitseva. "THE PERSPECTIVE OF THOUGHTS" ABOUT HAPPINESS IN THE DRAMATURGY OF A. N. OSTROVSKY
- Svetlana V. Rudakova, Angelika Molnar. GOGOL'S REFLECTIONS ON HAPPINESS (BASED ON "DEAD SOULS" AND "SELECTED PASSAGES FROM CORRESPONDENCE WITH FRIENDS")
- Tatiana B. Zaitseva. "UNHAPPY PEOPLE" IN A. P. CHEKHOV'S PLAY "IVANOV" AND THE FILM ADAPTATION OF THE SAME NAME BY V. F. DUBROVITSKY
- Aleksey V. Petrov. «A WONDROUS MOMENT I REMEMBER…» OF A. S. PUSHKIN AND MAXIM LEONIDOV'S «VISION»: EXPERIENCE OF INTERTEXTUAL ANALYSIS
- Ildikó Regéczi. THE TRANSFORMATION OF SPATIAL METAPHORS OF CHEKHOV'S DRAMA "THREE SISTERS" IN L. S. PETRUSHEVSKAYA'S COMEDY "THREE GIRLS IN BLUE"
- Veronika V. Tsurkan. TOPOI OF HAPPINESS IN RUSSIAN POSTMODERNIST PROSE
- Olesya A. Dudlya. THE CONDITIONS FOR "MAKING TRANQUILITY AND HAPPINESS" AS SEEN BY GONCHAROV'S HEROES
- Maria S. Zhavnerovich. THE PECULIARITIES OF THE IDEA OF HAPPINESS IN THE SATIRICAL STORIES OF M.A. BULGAKOV AND M.M. ZOSHCHENKO