Contents of No. 2, 2015
- A.V. Semenova. THE PLOT OF VADIM NOVGORODSKY INTERPRETED BY M.M. KHERASKOV IN THE POEM «THE KING OR THE RESCUED NOVGOROD»
- A. V. Petrov. S. S. BOBROV’S VISIONARY VERSES ON DEPART OF THE EMPRESS CATHERINE II
- N. V. Nalegach. THE SYMBOLISM OF THE CANDLE IN THE I. ANNENSKY’S POETRY
- Sergey Pyatkin. YESENIN'S POEM "PUSHKIN": MYTH-CREATING CONTEXT
- M. L. Bedrikova. THE PRINSIPLES OF N. RUBTSOV` POETIC AND THE "COUNTRY PROSE" POETIC: "THE EXPERIENCE OF THE KNOWLEDGE OF THE NATURE AND THE SPIRIT"
- I. F. Gerasimova. THE IMAGES OF CHILDHOOD IN RUSSIAN POETRY OF THE FIRST WORLD WAR PERIOD
- V. Sljivar. NOTES ABOUT THE CYCLE OF M. TSVETAEVA "POEMS TO BOHEMIA"
- Abramzon T.V., Rudakova S.V. PRINCIPLES OF FORMATION E.A. BORATYNSKY’S POETRY COLLECTION OF 1835
- Angelika Molnar. AUTHOR’S DISCOURSE IN SOROKIN’S "ROMAN"
- M. Leonova. FUNCTION OF THE AUTHOR IN THE GENESIS OF THE SENSE OF THE ROMANTIC TEXT
- N. L. Vershinina. FEATURES OF «MINOR» POET`S LYRICISM (TO THE ISSUE OF A.N. YAKHONTOV`S ARTISTIC ANTROPOLOGY)
- A. P. Vlaskin. "LOOK AT MOUNT HAPPINESS ...": EUDEMONICAL PARAMETERS STATE OF MIND OF THE HERO IN DOSTOEVSKY'S NOVEL
- V. V. Tsurkan G. ADAMOVICH ABOUT THE ARTISTS OF THE SILVER AGE
- K. N. Saveliev. «THE RHYMERS’ CLUB» AS EMBLEM OF ENGLISH DECADENCE