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The article is devoted to structural-semantic changes in the concept of “Pushkin” in the “iconic” texts of Russian postmodernism. The author studies the dynamics of the motifs of life and death, analyzes the interaction of the concepts of “Pushkin”, “death” and “creativity” in the “Strolls with Pushkin” by A. Tertz and the novel “Pushkin house” by A. Bitov.

Key words

Concept, Pushkin, modernism, deconstruction, postmodernism